New opportunities This is a reflection of the decision to refocus the studio’s activities on services for the creation, management and distribution of 2K/4K digital cinema content With the disappearance of acetate film in favor of digital workflows, dynamic new opportunities are now open to producers, distributors and film festivals!
To capitalise on this, Cinelab has just completed its SCRATCH cinema colour grading suite with a Barco 2K digital projector as well as a DCP mastering, copy and key management suite.
A Doremi 2K4 server allows full validation and QC of DCP copies under actual operating conditions.
Already a success!
Only just launched, the new Integrated 2K-4K finishing line is already a success! Notably it was used for the full post production and DCP-2K mastering of Marc-Henri Wajnberg’s latest feature film "Kinshasa Kids", which has been selected for Venice and Toronto!